Поетично закодований індивідуальний досвід митця в триптиху «Доля. Муза. Слава» Тараса Шевченка
Ескіз недоступний
Дата
2015
Назва журналу
Номер ISSN
Назва тому
Видавець
КДПУ ім. В. Винниченка
Анотація
(uk) У статті йдеться про основні аспекти шевченкознавчих досліджень стосовно триптиху «Доля. Муза. Слава». Висвітлено особливості літературознавчого осмислення лейтмотиву митця в межах художнього світу Кобзаря.
З’ясовано, що авторське самозображення презентоване постатями «сіроми», зосередженого на своїй життєвій незреалізованості, та «Я-митця», що переймається виключно творчою самореалізацією. Обґрунтовано самооцінку автора з позиції статусу в суспільстві, творчої зреалізованості, повноти богемного життя. Дійшли висновку, що поетично закодовані авторські самоочікування передають сподівання досягти певного життєвого і творчого успіху, настирливе прагнення бути володарем вічного натхнення, впливати на духовну ауру суспільства.
У результаті розкодування, систематизації та узагальнення індивідуального досвіду автора в триптиху «Доля. Муза. Слава» було увиразнено мотив митця і мистецтва в поетичній спадщині Шевченка останніх років творчості, а також висвітлено окремі штрихи презентованого в ній образу автора.
(en) Speech the question is in the article about the basic aspects of Shevchenko researches concerning to the triptych «Fate. Muse. Glory». Highlighted features of the literary interpretation of the motif of the artist within the art world poet. The expediency of application of the triptych «Fate. Muse. Glory» of Taras Shevchenko concept of an integrated approach to the image of the author: need a proper generalization and systematization of disparate efforts of researchers; the need for a concept or methodology, which will represent a systematic approach to the theme of the artist and art in a separate text in the whole heritage of the poet. Defined the concept of a comprehensive analysis of the image of the author that involves the study of using linguistic, literary, psychological tools artistically expressed the author' s individual picture of the world: vision, comprehension, attitude to the environment and to their own «I» in it (interdependent images of the external and internal worlds). Focus on the main aim of this article is to explore the triptych «Fate. Muse. Glory» of Taras Shevchenko in accordance with the «self-concept » poetically expressed system presentation author (the image itself, score yourself, expectations of yourself) as evidence acquired and the expected life experience. Found that the author the image itself presents figures «poor», focused on his failure to, and I am the artist that deals exclusively with creative self-realization. I n the process of determining the mental state and sensual palette of the above images focused on the features artistically Express author: emotion, sensitiveness, the sincerity, the unique existential readiness for self-improvement. Reasonably score yourself of the author from a position of status in society, creative treats, completeness Bohemian life. It is noted that the shape «poor» adds new nuances based Shevchenko back in the early works of folklore and romantic image, «I am miserable orphan-slave in a foreign land». Came to the conclusion that poetically encoded copyright expectations of yourself convey hope to achieve a certain life and creative success, persistent desire to be the owner of eternal inspiration, influence of the spiritual aura of the society. In the decoding, systematization and generalization of the personal experience of the author in the triptych «Fate. Muse. Glory» was expressive motive of the artist and art in poetic heritage Shevchenko last years of creativity as well as highlights some finishing touches presented in her image of the author.
(en) Speech the question is in the article about the basic aspects of Shevchenko researches concerning to the triptych «Fate. Muse. Glory». Highlighted features of the literary interpretation of the motif of the artist within the art world poet. The expediency of application of the triptych «Fate. Muse. Glory» of Taras Shevchenko concept of an integrated approach to the image of the author: need a proper generalization and systematization of disparate efforts of researchers; the need for a concept or methodology, which will represent a systematic approach to the theme of the artist and art in a separate text in the whole heritage of the poet. Defined the concept of a comprehensive analysis of the image of the author that involves the study of using linguistic, literary, psychological tools artistically expressed the author' s individual picture of the world: vision, comprehension, attitude to the environment and to their own «I» in it (interdependent images of the external and internal worlds). Focus on the main aim of this article is to explore the triptych «Fate. Muse. Glory» of Taras Shevchenko in accordance with the «self-concept » poetically expressed system presentation author (the image itself, score yourself, expectations of yourself) as evidence acquired and the expected life experience. Found that the author the image itself presents figures «poor», focused on his failure to, and I am the artist that deals exclusively with creative self-realization. I n the process of determining the mental state and sensual palette of the above images focused on the features artistically Express author: emotion, sensitiveness, the sincerity, the unique existential readiness for self-improvement. Reasonably score yourself of the author from a position of status in society, creative treats, completeness Bohemian life. It is noted that the shape «poor» adds new nuances based Shevchenko back in the early works of folklore and romantic image, «I am miserable orphan-slave in a foreign land». Came to the conclusion that poetically encoded copyright expectations of yourself convey hope to achieve a certain life and creative success, persistent desire to be the owner of eternal inspiration, influence of the spiritual aura of the society. In the decoding, systematization and generalization of the personal experience of the author in the triptych «Fate. Muse. Glory» was expressive motive of the artist and art in poetic heritage Shevchenko last years of creativity as well as highlights some finishing touches presented in her image of the author.
Опис
Ключові слова
митець і мистецтво, системний підхід, концепція інтегрованого підходу, образ автора, доля, слава, муза, самозображення, самооцінка, самоочікування, artist and art, a systematic approach, the concept of an integrated approach, the image of the author, destiny, glory, muse, the image itself, score yourself, expectations of yourself
Бібліографічний опис
Цепа О. В. Поетично закодований індивідуальний досвід митця в триптиху «Доля. Муза. Слава» Тараса Шевченка / Олександра Володимирівна Цепа // Наукові записки КДПУ. Серія: Філологічні науки (літературознавство) / ред. О. А. Семенюк [та ін.]. – Кіровоград : КДПУ ім. В. Винниченка, 2015. – Вип. 142. – С. 127-131.