Роль і функції емоції в есеїстиці Євгена Маланюка
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Дата
2019
Назва журналу
Номер ISSN
Назва тому
Видавець
РВВ ЦДПУ ім. В. Винниченка
Анотація
(ua) У статті осмислюється функціональна роль емоційно-почуттєвого начала в есеїстиці Євгена Маланюка. Взаємодіючи з інтуїцією та раціональним первнем, воно забезпечує глибинне осягнення предмету. Виразно виявлене емоційно-почуттєве начало обумовило експлуатацію письменником комплексу художніх засобів (іронія, сарказм, гіпербола, метафора) і прийомів (антитеза, перифраз). Як теоретико-методологічна категорія, емоція включена автором до комплексу критеріїв для оцінки таланту митця, рівня художності його творів. Емоція виконує важливу роль в есеях Є. Маланюка: конструює або коригує концепцію праці, визначає або увиразнює вектор розвитку авторської думки, виражає оцінку осмислюваних подій, явищ, персоналій.
(ru) В статье осмысливается функциональная роль эмоционально-чувственного начала в эссеистике Евгения Маланюка. Взаимодействуя с интуицией и рациональным началом, оно обеспечивает глубинное постижение предмета. Выразительно выражено эмоционально-чувственное начало обусловило эксплуатацию писателем комплекса художественных средств (ирония, сарказм, гипербола, метафора) и приемов (антитезис, перифраз). Как теоретико-методологическая категория, эмоция включена автором в комплекс критериев для оценки таланта художника, уровня художественности его призведений. Эмоция играет важную роль в эссе Е. Маланюка: конструирует или корректирует концепцию труда, определяет или акцентирует вектор развития авторской мысли, выражает оценку осмысливаемой событий, явлений, персоналий.
(en) This article makes sense the functional role of emotional and sensual beginnings in Yevgen Malaniuk’s essay. Malanyuk’s style of essays is largely determined by the influence of his artistic thinking, his poetic style. This is the most highlighted at the level of pathos: all works are imbued with feeling, emotion. The very emotionally-sensual beginning is often the source of development of the logic of the article, which makes the author’s opinion more insightful, reveals the essence of the object. The emotionally-sensual beginning is an integral part of Malaniuk-essayist’s intuitive knowledge, which contributes to the crystallization of thought in unexpected but profound in terms of the author’s terminological formulations ("lyrical hearing"). The emotion as a reaction to the life of the nation, the state is a category included by the writer in the set of criteria that he uses to evaluate the artist’s talent, the level of art of his works, including analyzing the poetry of T. Shevchenko, M. Rylsky, O. Pushkin. In Malanyuk’s works, one can observe a mix of different vector emotions, which at the same time express the author’s attitude to different phenomena: anger caused by total ersatz patriotism, multiplied by the admiration of a rare true love for the Motherland, contributes to the hyperbolic evaluation of M. Khvylovі. To express his conclusions, the writer often resorts to artistic means, figurative formulas, which is a condensed form give very precise and at the same time laconic characteristics of various phenomena: "the Cossack atavism" G. Chuprynka, "the revolutionary fire" by M. Khvylovі, "sweet world" by M. Rylskі. The apt metaphors, epithets, and periphrasis used by the writer convey the essence of the phenomenon, for example, they emphasize the outlook and aesthetic dominance of the artist. Malanyuk also appreciates in colleagues the ability to find an adequate artistic means, an image for the description of a literary phenomenon. The emotional background of many articles is determined primarily by the anxiety and pain for the deformity of Ukrainian culture, which is manifested in the tragic fate of Ukrainian artists. The despair of the author, generated by the state of Ukrainian literature of the 1930s, is embodied in a hyperbolized statement, reinforced by the Gothic metaphor of the "grave of silence" in the essay "From the Kyiv Parnassus of Recent Years". When Malaniuk talks about destructive socio-historical processes and events in Ukraine, he feels a sharp authorial experience. The loss of connection with Ukraine is played out as a deeply intimate drama, generating pain literally at the physical level. The emotional spectrum of the essays clearly demonstrates the writer’s attitude to the Soviet system: disgust, contempt, irritation, rage. Thus, the emotional and sensual beginning fulfills important functions in Yevhen Malaniuk’s essay. Interacting with intuition and rational primarily, it provides a deep understanding of the subject. Emotion often constructs or corrects the concept of work, defines or expresses the vector of the development of the author’s thought, expresses the evaluation of events, phenomena, personalities conceived by the author.
(ru) В статье осмысливается функциональная роль эмоционально-чувственного начала в эссеистике Евгения Маланюка. Взаимодействуя с интуицией и рациональным началом, оно обеспечивает глубинное постижение предмета. Выразительно выражено эмоционально-чувственное начало обусловило эксплуатацию писателем комплекса художественных средств (ирония, сарказм, гипербола, метафора) и приемов (антитезис, перифраз). Как теоретико-методологическая категория, эмоция включена автором в комплекс критериев для оценки таланта художника, уровня художественности его призведений. Эмоция играет важную роль в эссе Е. Маланюка: конструирует или корректирует концепцию труда, определяет или акцентирует вектор развития авторской мысли, выражает оценку осмысливаемой событий, явлений, персоналий.
(en) This article makes sense the functional role of emotional and sensual beginnings in Yevgen Malaniuk’s essay. Malanyuk’s style of essays is largely determined by the influence of his artistic thinking, his poetic style. This is the most highlighted at the level of pathos: all works are imbued with feeling, emotion. The very emotionally-sensual beginning is often the source of development of the logic of the article, which makes the author’s opinion more insightful, reveals the essence of the object. The emotionally-sensual beginning is an integral part of Malaniuk-essayist’s intuitive knowledge, which contributes to the crystallization of thought in unexpected but profound in terms of the author’s terminological formulations ("lyrical hearing"). The emotion as a reaction to the life of the nation, the state is a category included by the writer in the set of criteria that he uses to evaluate the artist’s talent, the level of art of his works, including analyzing the poetry of T. Shevchenko, M. Rylsky, O. Pushkin. In Malanyuk’s works, one can observe a mix of different vector emotions, which at the same time express the author’s attitude to different phenomena: anger caused by total ersatz patriotism, multiplied by the admiration of a rare true love for the Motherland, contributes to the hyperbolic evaluation of M. Khvylovі. To express his conclusions, the writer often resorts to artistic means, figurative formulas, which is a condensed form give very precise and at the same time laconic characteristics of various phenomena: "the Cossack atavism" G. Chuprynka, "the revolutionary fire" by M. Khvylovі, "sweet world" by M. Rylskі. The apt metaphors, epithets, and periphrasis used by the writer convey the essence of the phenomenon, for example, they emphasize the outlook and aesthetic dominance of the artist. Malanyuk also appreciates in colleagues the ability to find an adequate artistic means, an image for the description of a literary phenomenon. The emotional background of many articles is determined primarily by the anxiety and pain for the deformity of Ukrainian culture, which is manifested in the tragic fate of Ukrainian artists. The despair of the author, generated by the state of Ukrainian literature of the 1930s, is embodied in a hyperbolized statement, reinforced by the Gothic metaphor of the "grave of silence" in the essay "From the Kyiv Parnassus of Recent Years". When Malaniuk talks about destructive socio-historical processes and events in Ukraine, he feels a sharp authorial experience. The loss of connection with Ukraine is played out as a deeply intimate drama, generating pain literally at the physical level. The emotional spectrum of the essays clearly demonstrates the writer’s attitude to the Soviet system: disgust, contempt, irritation, rage. Thus, the emotional and sensual beginning fulfills important functions in Yevhen Malaniuk’s essay. Interacting with intuition and rational primarily, it provides a deep understanding of the subject. Emotion often constructs or corrects the concept of work, defines or expresses the vector of the development of the author’s thought, expresses the evaluation of events, phenomena, personalities conceived by the author.
Опис
Ключові слова
есей, емоція, раціональне начало, інтуїція, художній засіб, художній прийом, эссе, эмоция, рациональное начало, интуиция, художественное средство, художественный прием, An essay, an emotion, a rational beginning, an intuition, artistic tool, artistic reception
Бібліографічний опис
Буряк О. Ф. Роль і функції емоції в есеїстиці Євгена Маланюка / Олена Федорівна Буряк // Наукові записки ЦДПУ. Серія: Філологічні науки = Research Bulletin. Series: Philological Sciences / ред. кол.: О. А. Семенюк [та ін.]. – Кропивницький : РВВ ЦДПУ ім. В. Винниченка, 2019. – Вип. 187. – С. 15-26.