Формування творчо-виконавських навичок майбутніх учителів музичного мистецтва в процесі інструментальної підготовки

Abstract

(ua) У статті розглядається питання формування творчо-виконавських навичок майбутніх педагогів-музикантів на сучасному етапі розвитку суспільства, який вимагає підвищення ефективності професійної підготовки майбутніх фахівців, осмисленню ними важливості сформованості творчих та виконавських навичок у процесі професійної діяльності, враховуючи особистісну спрямованість.(ru) В статье рассматривается вопрос формирования творческо-исполнительских навыков будущих педагогов-музыкантов на современном этапе развития общества, требующего повышения эффективности профессиональной подготовки будущих специалистов, осмысления ними важности формирования творческих и исполнительских навыков в процессе профессиональной деятельности, учитывая личностную направленность.(en) The level of professional qualification of a music art teacher is especially evident at the stage of creative and performing activities, when the synthesis of pedagogical and creative-performing components of activity allows to achieve the artistic influence of musical art on the individual. Analysis of the activities of music teachers of different levels of skill reveal the unity of pedagogical and creative-performing aspects of skill, their equivalence and complementarity in achieving teacher interaction with students. It is extremely important to reveal the original features of the national musical art (performance, creativity), education in the context of all the real preconditions, trends, factors of their development. There is a growing interest in theoretical and methodological issues of pedagogy and performance in each of the professional music fields. Improving the instrumental and performing training of young professionals, their active involvement in the system of pedagogical activity is a complex dialectical process, which is manifested in various forms of performing skills. The most important component of a musician's professional development is perfect musical and performance training. Various aspects of this process (physiological, psychological and pedagogical, etc.) are studied in the works of Yu. Bay, V. Bilous, E. Yorkina, E. Gurenko, M. Davydov, V. Knyazev, V. Razhnikov, V. Samitov, G. Tsypin etc. Important didactic principles of music teacher's knowledge development are the young teacher's own creative, aesthetic and professional self-improvement, supplementing the personal information and methodological base, creating an individual mobile system of effective pedagogical knowledge and skills that meet specific tasks. Attending concerts of academic music, opera and musical-dramatic performances, etc. (together with students, colleagues, independently); instrumental music, group singing; acquaintance with new musical works of various forms, genres, styles; training and performance as a performer (performers) at local, regional and other conferences, festivals, concerts, performances, etc. actively contribute to the creative self-improvement of the music teacher.